SUNDAY STUDIO SKETCHES

I recently escaped the trenches of an art funk in the best way I know how, observational drawing with live music and friends 💜💙

On this occasion I drew two of my friends as they practiced their mixing skills on the decks at Pirate Studios earlier this week. I drew on observation from 3 different view points, and only spent around 30 minutes on each one.

I’m hoping to develop these into finished illustrations soon but I thought for once I’ll share the sketches as it’s very rare for me to like my work at this sketchy/unfinished stage, but there’s something about these that I actually really like!

I also gifted a framed print out of Jososick’s album SickNote artwork to both Jo and his manager Kaisiah, which they both loved!

PORTFOLIO EDITS

As part of my mentorship at Scunthorpe Studio School, I got loads of amazing advice regarding how to successfully navigate the art world. My mentor, although very experience and well established, doesn’t specialise in illustration, so his advice in this area specifically, was slightly limited. However, he very kindly set me up a meeting with Jess from Inkling Agency, a fully female run illustration agency with strong connections in Sheffield (a city I have strongly considered moving to after a little more travelling)!

Some of you may know that I’ve actually been represented by two different agencies in the past and it was unfortunately a really disappointing experience with little to no opportunities as a result… I let Jess from Inkling know this and asked her to give me guidance on how to sift out legitimate agencies and attract legitimate clients, and it was incredibly helpful!

Her main piece of advice was to refine my portfolio massively. The main page for example, limiting it to stand-outs only, as commissioner's are time poor, and they won't scroll. She also mentioned, commissioners will very often use a photo rather than illustration, as it’s quicker and cheaper, so I need to make my work stand out and show clients how it can be used, for example making mockups with typography in situ.

I’m yet to make mockups, as this requires a little more time and thought regarding who I want to target, however I did make the website edits and feel with this more seamless and simple layout, I’ll appear more professional to potential new clients.

GOODBYE STUDIO SCHOOL, HELLO NEW OPPORTUNITIES

So on Wednesday I had my last day at Scunthorpe Studio School, a 6 month opportunity with artist mentorship, and although it was an incredible experience and provided me with a structured routine that has been so beneficial, I was getting pretty sick of the same drive up and down the country every week, and I’m excited to put everything I’ve learnt into practice in the real world and hopefully land myself some paid opportunities!

Towards the end of the experience, we took part in a few interviews and podcasts, mostly created with the intention of advertising the opportunity to future applicants and cohorts, but also to just reflect on what we gained, so as those clips come out I’ll be sharing more of my perspective on the experience, but overall I couldn’t be happier with what I learnt and how it aided my growth as an artist re-entering my practice following a challenging episode of neurodivgent burnout.

Going right back to the beginning of the process, one of the very first tasks we did with our mentor, was writing an artist manifesto, something I’ve never considered before, and I can’t emphasise enough how beneficial this practice was for me. It’s something I regularly went back to (and I imagine will continuously go back to) in order to check-in with myself and to ask myself the question, does what I’m doing align with what I want? And I’d strongly encourage other artists to consider doing it too. Below is my artist manifesto:

Have fun.

Be present, go at your own pace.

Be boundaried.

Make work you care about.

Make money, but don’t burnout or sell-out.

Travel, explore, learn, and enlighten.

Take risks - Breath, and believe it will always work out.

Do what you can, not what you should.

I’ve been on a journey of re-establishing what being an artist means to me, and as you can probably tell, my values are largely centered around protecting my mental health, that’s my number one priority. I want to connect with people and learn, but also I want to make money from my art, and to do that without burning out or selling out, means making work that a truly care about.

Since starting the studio school, I’ve gotten a lot better at truly leaning into and embracing myself specifically as an artist, rather than an unemployed person that occasionally draws… My confidence and self worth has grown so much and believe with this will soon invite more well paid and exciting projects!